BACKGROUND
"That Ratnakar Ojha is unabashedly an Indian in spirit is proved by his exuberant use of colours. Using almost every hue in the spectrum, ranging from burning reds and passionate yellows, tastefully set off by turquoises, ultramarines and cobalt, he still manages to retain that sense of balance that is the hallmark of the Basohli miniaturists. Not once does he kneel over the merely polychromatic. Lavanya, that is grace and harmony is the keynote of these paintings."
-Veena Kotian. ( from an exhibition folder, 1997)
"Most of the times expressions of my portraits are pathos. But I use bright and unnatural colours to highlight joyful moods and exuberance. Colours are life of a painting and I use maximum hue to create depth in my work."
Ojha's trademark is vibrant colour and figurative work not to mention the reflection of extremes of emotion that his "people" experience. He has caught women in a pensive mood, their melancholy evident in their slanting eyes and inward gaze. These unforgettable figures leave an indelible; impression on the inner eye even as they captivate. Having been born in a village in the Keonjhar district of Orissa, in 1957 for Ratnakar Ojha it was painting or nothing right from the word go. One of his strong influences has his grandmother. "She used to make clay dolls for us to play. She also encouraged me to do something about my interest in drawing and paintings." reminisces Ojha. Besides, the natural surroundings of his village in Orissa reinforced his use of dramatic colours in his paintings
He studied at the Government College of Art and Crafts, Khallikote, Orissa ; Indira Kala Sangeet University,Khairagarh; and at the Sir J. J. School of Art, Mumbai.
A very collectable artist he has participated in many shows. His paintings are in several collections including Air-India; Premier Automobile; Hotel Kumaria Presidency; India International Art Centre; Bajaj Auto Ltd.; Orissa Lalit Kala Akademy; Broadcast Worldwide Limited; Go Go International and many more corporate & private collections.

SOLO SHOWS
Jehangir Art Gallery,
Mumbai
1983
Artists’ Centre,
Mumbai
1984
Orissa Lalit Kala Academy,
Bhubaneswar
1984
Max Mueller Bhavan, Under the auspices of the Indo-German Cultural Society,
Bangalore
1985
Arreesa Art Gallery,
Mumbai
1989
Designscape Art Gallery,
Mumbai
1991
Jehangir Art Gallery,
Mumbai
1991
16, Teenmurti House,
New Delhi
1994
Artists’ Centre,
Mumbai
1997
Galleria,
Mumbai
1998
Artists’ Centre,
Mumbai
2000
Hacienda Gallery,
Mumbai
2005
Vinnyasa Premier Art Galery,
Chennai
2005
GROUP SHOWS
We’89 at Academy of Fine Art,
Calcutta
1989
‘The Search’ at The Gallery,
Chennai
1992
‘DIRECTION-1’ at The Gallery,
Chennai
1993
Joint Show with J.S.M. Mani at Gallery Aurobindo,
New Delhi
1994
‘Women in Indian Art’ by The Gallery at Visual Art Centre,
Hong Kong
1996
‘ AN ODE TO INDEPENDENCE’ celebrating 50 years of India’s
Independence by Apparao Gallery at India Habitat Centre, Air Gallery, London
New Delhi & London
1997
‘Highlight’ by Galleria at Academy of Fine Art and Literature,
New Delhi
1998
‘Miniature Millennium Collection by Contemporary Indian Artist’
at Galleria,
Mumbai
1999
‘IMAGES OF WOMAN’ groups show of 16 Senior Artists working with ‘Woman’ as their theme at Galleria,
Mumbai
2000
‘WORKS ON PAPER’ by group of selected Artists organized by
Gallery Art Resource Trust,
Mumbai
1999
‘WALL OF COLOUR’ by Galleria at Jehangir Art Gallery,
Mumbai
2000
‘India Visited’ Indian Contemporary Art, group show at Gallerie D’ Art
Amrita Dyalah,
Mauritius
2000
‘I am moved’ A charity auction of Indian Contemporary Art in aid
of Gujarat Earthquake Relief Fund at The Peshwa, Holiday Inn,
Pune
2001
Indian Contemporary Art by Saffronart
Hong Kong
2001
‘Artist of the month February 2002’ presented at Saffronart.com
Saffronart.com
2002
‘A Panorama of Indian Contemporary Art’ at Art Circle presented by gallery Maya.
Hong Kong
2002
“Harvest2002” by Arushi Art Gallery,
New Delhi
2002
‘Works on paper’ online exhibition by Saffronart.com.
Saffronart.com
2003
‘INDIAN CONTEMPORARY ART AT IT’S BEST’ by Intex, Colours on Canvas,
Dubai
2003
“Vision 2004”,
San Francisco
2004
Abstract Gallery,
Bangalore
2005
“Colors-2005” Coomaraswamy Hall, The Prince of Wales Museum,
Mumbai
2005
“TRILOGY” Legacy Art Gallery,
Mumbai
2005
“CHILDRENS DAY” Group show at Gallery Soulflowers,
Mumbai
2006
“ART FOR CONCERN” by Concern India Foundation, Artists’ Centre,
Mumbai
2006
“Indian Kaleidoscope” at Gallery Archana,
Kuala Lumpur
2008
“Figuratives” Legacy Art Gallery,
Mumbai
2009
“Flavours” Artistree Gallery,
Mumbai
2009
“ART BY THE SEA” Live painting events by Le Sutra at Carter Road Amphitheatre,
Mumbai
2013
“MUMBAI ON CANVAS” at Piramal Art Gallery, NCPA,
Mumbai
2013
“Colors-2014” Coomaraswamy Hall, The Prince of Wales Museum,
Mumbai
2014
“JJITES ALUMNI ASSOCIATION SHOW” Dinanath Dalal Art Gallery,
Mumbai
2014
“ Mansoon Magic” online show at indianartcollector.com
indianartcollector.com
2015
“Aarabdha-The Begining” at Taj Art Gallery,
Mumbai
2018
“JJITES ART EXHIBITION 2019” Jehangir Art Gallery,
Mumbai
2019
PRESS CLIPPINGS
".....When all is said and done, the artist has succeeded in making his viewers think about the human conditions........"
- R.T. Shahani, The Sunday Free Press, Mumbai, October 8, 2000
"The shades prominently seen in his work are light blue, greens, mauves, pink, and yellows. The figures and faces are not realistic in the true sense but his lines succeed in expressing the emotion to the observer."
- Jasmine Shah, The Asian Age, Mumbai, September 4, 1998
"They are mini wonders... bright and beautiful. They are all figurative works with simple compositions. They project a sense of joy and help build a festive atmosphere. Evidently, Ojha chooses to see the brighter side of things."
- Arkay, The Afternoon, Mumbai, October 14, 1997
"His techniques is varied to suit his diverse expressions: one moment he uses swift brush work with water colour, while on the other, he touches his canvas with fleeting and feather-like moves in oil."
- Sudipto Basu, Mid-Day, Mumbai, May 10, 1995
"Ratnakar Ojha of Orissa, comes out with slightly distorted, but stylised, extremely colourful faces of men and women. Very bright tones of red, blue and yellow along with black stresses glow form the canvas like stained glass."
- L. V. The Hindu, Madras July16 1993